I got the idea watching children play imaginative games,
watching as they chalked their scenes across the square.
Arranged their artefacts like tokens on a game board...
It was the way to start a canvas for my next dystopian view.
I stand it on the easel with myself arranged before,
the light behind me - where the devil's s'posed to be.
My shadow falling on its spotlessness, I wash it in.
The shadow now is permanent, a sort of watermark for me.
They used to say at art school, 'Put something of yourself
into each work - or give it up'. Well this is what I do!
I am the ghost behind the image, a sort of quality control.
And even when the layers build or thick impastos cover me,
when only I remember that I'm there, it puts the brake on me.
My hidden form still gives a human scale to what I do.
I am the ghost that haunts the image, keeps perspectives true -
or maybe, with more truth, the children are the quality control.
The moon petals the sea. Rose petals the sea. Stone sea. Stone petals. Rose petals of stone. Stone rising before me. Sea moves. How moves...
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Tom Lubbock, writing in The Independent (friday 15 May 2009) returned to the age old topic of censorship in the arts. Well, in painting act...