It all depends, you see, how you go about it. And that I cannot tell you, for that will be dictated by you and by you knowing your friends...
extract from the poem Koi by John Burnside All afternoon we've wandered from the pool to alpine beds and roses ...
The moon petals the sea. Rose petals the sea. Stone sea. Stone petals. Rose petals of stone. Stone rising before me. Sea moves. How moves...
Two or three weeks ago Jim at The Truth About Lies was kind enough to send me a DVD which he thought might interest me and might even form...
This post has in a sense been handed to me by two or three responses to my post On not getting it. In the course of discussing how a reade...
Sunday, 18 August 2013
The Kaleidoscope and the Microscope
My body had died
and only my head and two hands were alive.
So what can a head and two hands do
when that is all there is of you?
The head can think and the hands can move,
you could imagine a world more in the groove,
more open to all the needs of man
and sketch it there where your world began.
You could paint all the pictures in The Louvre
in alternative hues, in DayGlo bright
or Virgin white with just a touch of celestial light
and newly constructed, enlightened views.
Trite images from yesterday, perhaps, but in the plan
displaying all the powers and skills of old
Renaissance man. His masterpieces all survived
traumatic lives, endured abuse, are damaged souls,
are halfmen walking in the light,
conquerors of their own, more personal night.
But damaged people just might ghost
the blueprints for the world that lies in limbo now.
This wasn't a dream or a reverie
or a nearer to death experience,
but the bump of a spacecraft back on Earth
and I the only occupant -- Pro Tem disabled by the bump.
As with The Louvre, so with the forest and the high rise town:
look where you will, in church and factory,
in school, on playing field, in airport lounge
and shopping mall, on road and rail, in hospital
and swimming pool, you'll see
the blueprints for a better deal.
These are the ghosts that haunt the now,
the dead men live on tomorrow's page.