Tip-toe taut as a drawn bow is Actaeon acting on instinct leaving the hunt bowing out from his man-eating hounds. Behind him the kill the blood spill the thrill of the chase. Forsaking them all and all for the sake of a soft warmer shape a quite different scent an incense a worshipful sense which he finds more alluring. But none of this yet is a physical kick not an earthly bouquet not an essence of flesh and wild flowers. The senses are making no sense. An ether has entered his head a virtual tease something to please an old god. So Actaeon stumbles along lost in the forest and lost in mind. Soon in his head the odour is joined by a sound. Water is falling somewhere around: water like laughter and laughter like water - there's water and laughter falling together, their volumes and sounds buried deep in each other. Think of him now as a stem in the dark underbelly of earth. Think of him blind, in the sway of a force that controls half the mind, leads him on to a light that as yet he can't see. But now he's the force as he forces a way through the thick undergrowth with the strength of a man out of touch. Such a force, he breaks through as he hacks at thick vines to be blinded again in a quite different way by a light that engulfs, near swamps, his brain. Vision and sight and light ever- lasting at last! A switch has been thrown. The change is from inner to earthly encounter. The laughter like water spills from plump nymphs attending their goddess, Diana the virgin, the huntress who bathes in water like laughter. Cascades all around replenish the pool with its rocks like a throne on which she reclines as naked as any rock he's ever known. The nymphs crowd their queen, attempting to screen from his gaze what must not be seen. Too late! His eyes have locked on with a gaze that she feels like an arrow. The arrow she fires in return is a missile that robs him of speech. How else to protect the secrets he's seen, the mysteres locked in her nakedness? He's condemned to a life without speech a silence profound and beyond that endured by many a monk or anchorite. Now Actaeon plays along well, believes he can yet beat the curse, plays it dumb - 'til the sound of the hunting horn reaches his ears and impulse wins out. He responds with his call - then bites his tongue. Too late, yet again: the sad deed is done. For Actaeon now all action flows out of remorse. He runs through the forest to melt in the trees and rejoin the hunt. Diana's ill humour has followed him there. Thirsty, he stoops to drink from a brook sees in the water, reflected from him, half- human, half-finished a stag's head with antlers with streaks here and there of the way that one day humanity might be washed out. He watches more changes take place. Startled at first, he composes himself, then stands like a stag on four feet as the hounds fall upon him, drawing blood by the pint. They have not seen in the half-and-half beast their old lord and leader. They tear at his flesh. His heart, lungs and gut, eyes, face and tongue, are shredded devoured or strewn on the ground.
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Monday, 20 August 2012
Actaeon and Diana
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14 comments:
Humble apologies to those whose comments did not appear when they should have. I was under the impression that I had temporarily de-activated moderation while I was away from the computer. Obviously not!
I can assure you that all the comments have been read and appreciated. I will catch up as best I can.
Once again, thank you all.
wow vicious man....great story telling, i was right in it...and to be killed unrecognized by his own men in the end....whew...
This danced along so beautifully and then drew to its bloody end. Powerful, Dave.
Such a sad ending. Guess I wasn't expecting that. Too much like the Hunger Games ;-)
Wonderful tale well-told. I think there's a typo on last line or so - strewn?
I'm sorry to bring it up but it's at an important place. I think that's what you mean. k.
Strong, powerful read, Dave! Was somewhat taken aback at the ending.
Hank
I enjoyed the directness and intensity of this.
The Maenads' force at the end.
I love the rhythm and the rhyme in this. Excellent retelling of the myth: you had me in it from the beginning. Thank you.
I second what Janice / Jabblog said. The ending really was a game changer. Intense and somewhat shocking!
The hunter hunted, first by his curiosity, then by the beauty of a goddess and finally by his friends.
I love these myths so much!
A lot of action in this tragedy flowing beautifully in your words like a cascade, red with blood at the end.
You are a good story teller, Dave.
These lines are my favs:
- The senses are making no sense.
- water like laughter
and laughter like water
I could watch all the scenes in my mind as if I were there. No break. Another terrific script, this time one for Tarantino or Brian de Palma.
Thanks for sharing.
Powerful, seductive and a truly rewarding read. Thank you.
Beautiful and melancholic lines!
I'm curious about Diana's secret...
Is it a myth or your creation?
Brian
Thanks Brian. Yes, those old Greeks knew how to twist the tail/tale!
jabblog
Much thanks for this.
Tabor
Mmmm, very like.
manicddaily
Thanks for pointing this out. No need to apologise, I'd rather know than not know! You're right, of course: strewn is what it should have been.
Hank
Yes, it's a gruesome end, I agree. So typical of them, though.
Tommaso
Thanks for your thoughts.
ds
Much thanks for your kind words.
Mary
Certainly, they didn't hold anything back, those old myths.
Dulcina
Wow, thanks a million for this. Methinks you do me too much credit (Tarantino and Brian de Palma!), but I'm happy to go with the thought!
The Elephant's Child
And thank you, so much, for your thoughts. Once more I am lost for an adequate reply, but I do appreciate them.
haricot
It is basically the Greek myth of Actaeon and the virgin Goddess Artemis - though I took the liberty of giving her her Roman name of Diana. The gory end was the consequence of seeing her naked.
Fantastic use of homonyms and alliteration. Also, the rhymes here--slant, perfect, unaccented--were well-placed and super effective. The line length and pacing really fit the piece, too.
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