He felt the weight of prairie vastness in the urban space,
the loneliness such sparseness of expanse can bring,
the seep of grassland into city wariness, the way
great distance can be squeezed into a downtown street.
He saw the spaces infiltrating neighbourhoods
like wedges prising could-be friends apart, or solid hedges,
impenetrable, keeping people in. For hedge, a block
of darkened pigment: loneliness, a figure gaoled in light.
His landscape was a tableau frozen from time's stream,
a known world, stranger than we'd known, where nothing moved.
There were no doors, no corridors, no exits from the bleakness
and no absconding from his silent dream. No recoil to reality.
Always, it seemed, an unknown ghost was waiting to appear.
The moon petals the sea. Rose petals the sea. Stone sea. Stone petals. Rose petals of stone. Stone rising before me. Sea moves. How moves...
This post has in a sense been handed to me by two or three responses to my post On not getting it. In the course of discussing how a reade...
extract from the poem Koi by John Burnside All afternoon we've wandered from the pool to alpine beds and roses ...
It all depends, you see, how you go about it. And that I cannot tell you, for that will be dictated by you and by you knowing your friends...
A Birthday in April ~ Wordsworth Prompt from The Imaginary Garden with Real Toads (The first of three posts which will celebrate the l...