Too late to make a start, to write my life the way it might have been, like a poetic form grown line by line, each line composed of four or five well chosen words, each line exact, weighed in a careful balance, balanced to a nicety... A common fret? No, more than that. The awful thing: that this is always so, a much for the young boy as this old man. No time to drive a rhythm through, empowering life to something more than prose. That chance was gone before you held a pen. Not easy to determine (as you yourself will know) the sequence that the words should take... Harder for the boy, he cannot know best order changes constantly, that we are all collateral casualties of some world/universal order that changes as we go but can't be changed. Not so: collateral wounds do not exist; all wounds are core, the end and very essence of a war. The deaths,the man/the boy were choices someone made, choices someone weighed, thought justified. The sculptor doesn't choose. He waits until an idea comes to him, one that says this XXX will fit your marble block exactly sir. It's there and waiting to get out. Free choice a human right. No one's pleading that he's Just obeying orders, not these days, they're simply doing the wrong thing: the philistine who helps to shape our country, the rogue who goes to make our laws, the shaman who with magic stone will keeps himself in power, the leaders who start wars. It's far too late for choice; it always was. You have your block of stone. ............................................I am linking this to Poet's Pantry at Poets United and to the Poetry Jam prompt Choice
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Monday, 5 November 2012
Choice and no choice
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18 comments:
Brilliant - and I really enjoyed your rebuttal of the nonsense of collateral damage.
It's far too late for choice; it always was. You have your block of stone.
It's a tragedy of modern times. Someone determines our choices. We're burdened with just holding the baby, cold hard stones (whatever they are!)
Nicely Dave!
Hank
So true that we can't write our life the way it might have been.....or the history of the world as it might have been. We have only to write what IS.
I wonder about that sculptor though, Dave. Of many things he could make from that block, he chooses one thing that will fit. Perhaps politicians/ statesmen (whatever they are) attempt the same thing from the 'block' they are handed. They choose what they think will fit and TRY to sculpt it, though it seems in recent times anyway they fail.......
Too bad you don't have a philosophy blog. I'd love to hear this put out clearly in prose. It seems to beg for prose. I could respond better, when I am clear on what you are saying. It sounds interesting, but I don't want to guess.
Ah, prose -- far under rated among many poets.
:-)
intersting...i wonder at what point it becomes too late for choice...unless of course the time is passed....we make the best we can in the moment...though sometimes i think we need to take that pause as the sculptor and wait for it to come to us...
Hi Dave! This is quite a provocative poem, a lot of ground covered, and well written too. I liked the way you chose to sum it up. So many ways to carve that marble :-)
Dave, this is a complex poem with a great message ... though my grandson is only sixteen, I am printing it for him to read ... I believe he will get it!
Truly enjoyed the way you have composed the poem especially with regard to the order that brings changes as we go by...
A poignant piece, Dave.
Phew... we all think we make our own choices in life but do we, really.
Such an in-depth look at how we do what we think we decide for ourselves and yet, someone always higher up the tree looking down to see we do it properly, their way.
You have your block of stone... the ultimate, so final. Phew.
Your mixing of imagery is fascinating and poignant, David. War and art. Destruction and creation. Thoughtful and thought-provoking.
This is one of your best. I feel very close to it. Yes, it's always too late as at the end, dramatically is pointed out in "Not Waving But Drowning".
There are echoes of Four Quartets in the philosophy and tone of your poem and also of Auden from "Horae Canonicae", the section entitled "Nones".
Brilliant and very true. Time slips by while we are figuring out how to live our life and come up with our grand scheme.
It was mentioned above, and, I agree that "provocative" is a great word to describe this. The range of comparison was perfect, and everything was hauntingly relevant.
*Gulp*
Aloha from Waikiki, Pal
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"The sculptor doesn't choose. He waits
until an idea comes to him,..."I love this line. And I think of our lives under someone's choice,,,so terrified by the thinking,,,
Thanks to all for a fascinating bunch of replies. So many of you, commenting on the underlying philosophy, picked up on the sculptor and his block of stone. Waiting for an idea to strike - or should he be more proactive? Maybe many ideas will strike and he chooses from them? Maybe it's a false antithesis... I was pleased to find some support for there being no such thing as collateral damage. It is so much referred to these days. The other issue raised was "When is it too late to choose?" My thought was: from the beginning, but I realise that that is a hard bed to lie on.
Forgetful as ever, I neglected to utter a special word of greetng and appreciation to Bijaylaxmi, SaraV and Jack. My apologies and a warm welcome to you.
"Not so:
collateral wounds do not exist;
all wounds are core, the end
and very essence of a war.
The deaths,the man/the boy
were choices someone made,
choices someone weighed,
thought justified."
I wish I could get Parliament to put a plaque bearing these words inside Westminster. Many thanks.
Greetings from London.
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